<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8609316905434789594</id><updated>2011-07-08T10:33:07.470-07:00</updated><title type='text'>Southwest Journal of Cultures Archive</title><subtitle type='html'>an interdisciplinary venue for culture studies book reviews</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>17</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-7397632724202524161</id><published>2010-09-07T09:34:00.000-07:00</published><updated>2010-09-07T09:34:57.257-07:00</updated><title type='text'>Summer Post 2: July 18, 2010</title><content type='html'>&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/09/old-talesmodern-tellings-early-medieval.html"&gt;Old Tales/Modern Tellings: Early Medieval Revenants in Science Fiction and Fantasy&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Article by Suanna H. Davis&lt;br /&gt;Houston Baptist University&lt;br /&gt;Listed in: Europe, Literature&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/09/cultures-of-plague-medical-thinking-at.html"&gt;Cultures of Plague: Medical Thinking at the End of the Renaissance&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Scott Hendrix&lt;br /&gt;Carroll University, Wisconsin&lt;br /&gt;Listed in: Europe, Literature&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2010/09/dangerous-curves-latina-bodies-in-media.html"&gt;Dangerous Curves: Latina Bodies in the Media&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Natchee Blu Barnd&lt;br /&gt;California College of the Arts&lt;br /&gt;Listed in: Music, Latin America&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2010/09/masculine-identity-in-fiction-of-arab.html"&gt;Masculine Identity in the Fiction of the Arab East Since 1967&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Andrea Duranti&lt;br /&gt;University of Cagliari, Italy&lt;br /&gt;Listed in: Gender&lt;/blockquote&gt;&lt;a href="http://southwestjournalofcultureseurope.blogspot.com/2010/09/french-atlantic-travels-in-culture-and.html"&gt;The French Atlantic: Travels in Culture and History&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Kadji Amin&lt;br /&gt;Columbia College, Chicago&lt;br /&gt;Listed in: Europe&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2010/09/dreams-of-difference-songs-of-same.html"&gt;Dreams of Difference, Songs of the Same: The Musical Moment in Film&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Albin Lohr-Jones&lt;br /&gt;Independent Scholar&lt;br /&gt;Listed in: Cinema, Music&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2010/09/tap-dancing-america-cultural-history.html"&gt;Tap Dancing America: A Cultural History&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Douglas C. Macleod&lt;br /&gt;State University of New York, Albany&lt;br /&gt;Listed in: African American, Performing Arts&lt;/blockquote&gt;&lt;a href="http://southwestjournalofcultureslatin.blogspot.com/2010/09/musical-imagination-u.html"&gt;Musical ImagiNation: U.S.-Colombian Identity and the Latin Music Boom&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Sandra J. Fallon-Ludwig&lt;br /&gt;Brandeis University&lt;br /&gt;Listed in: Music, Latin America&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2010/09/women-and-material-culture-of.html"&gt;Women and the Material Culture of Needlework and Textiles, 1750-1950&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Review by Julia Hudson-Richards&lt;br /&gt;Pennsylvania State University-Altoona College&lt;br /&gt;Listed in: Material Culture, Gender&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-7397632724202524161?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/7397632724202524161/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=7397632724202524161' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/7397632724202524161'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/7397632724202524161'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2010/09/summer-post-2-july-18-2010.html' title='Summer Post 2: July 18, 2010'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-8957203549836389082</id><published>2010-07-29T12:44:00.000-07:00</published><updated>2010-07-29T12:44:22.535-07:00</updated><title type='text'>Summer Post 1: June 4, 2010</title><content type='html'>&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2010/07/is-that-footnote-or-are-you-just-happy.html"&gt;"Is that a footnote, or are you just happy to see me?": Examining Meta-narrative in &lt;em&gt;Dr. Horrible's Sing-Along Blog&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;SW/TX PCA/ACA Conference Paper by Samira Nadkarni, University of Aberdeen, Scotland &lt;br /&gt;Listed in: Television, Music&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2010/07/witnessing-suburbia-conservatives-and.html"&gt;&lt;em&gt;Witnessing Suburbia: Conservatives and Christian Youth Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Eileen Luhr&lt;br /&gt;Reviewed by Donna J. Drucker, Colorado College&lt;br /&gt;Listed in: Social Custom&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2010/07/lakota-ghost-dance-of-1890.html"&gt;&lt;em&gt;The Lakota Ghost Dance of 1890&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;/blockquote&gt;&lt;blockquote&gt;By Rani-Henrik Andersson&lt;br /&gt;Review by John T. “Jack” Becker, Texas Tech University&lt;br /&gt;Listed in: Native American, Immigrant American&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2010/07/battle-for-america-2008-story-of.html"&gt;&lt;em&gt;The Battle for America, 2008: The Story of an Extraordinary Election&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Dan Balz and Haynes Johnson Reviewed by Amarnath Amarasingam, Wilfrid Laurier University, Toronto&lt;br /&gt;Listed in: Social Custom&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/07/supernatural-fiction-in-early-modern.html"&gt;&lt;em&gt;Supernatural Fiction in Early Modern Drama and Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Ryan Curtis Friesen&lt;br /&gt;Review by Suanna H. Davis, Houston Baptist University&lt;br /&gt;Listed in: Literature, Europe&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2010/07/designing-modern-interior-from.html"&gt;&lt;em&gt;Designing the Modern Interior: From the Victorians to Today&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Penny Sparke, Anne Massey, Trevor Keeble, and Brenda Martin&lt;br /&gt;Review by Paul Ranogajec, City University of New York&lt;br /&gt;Listed in: Material Culture, Europe&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2010/07/hot-stuff-disco-and-remaking-of.html"&gt;&lt;em&gt;Hot Stuff: Disco and the Remaking of American Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Alice Echols&lt;br /&gt;Review by Joseph E. Morgan, Brandeis University&lt;br /&gt;Listed in: Music, Social Custom&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2010/07/controversial-cinema-films-that.html"&gt;&lt;em&gt;Controversial Cinema: The Films that Outraged America&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Kendall R. Phillips Review by Robert G. Weiner, Texas Tech University Library&lt;br /&gt;Listed in: Cinema&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-8957203549836389082?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/8957203549836389082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=8957203549836389082' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8957203549836389082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8957203549836389082'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2010/07/summer-post-1-june-4-2010.html' title='Summer Post 1: June 4, 2010'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-3647481585172604591</id><published>2010-07-28T18:40:00.000-07:00</published><updated>2010-07-28T18:40:13.933-07:00</updated><title type='text'>Spring Post 1: April 5, 2010</title><content type='html'>&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/07/swtx-pcaaca-conference-paper-by-mary.html"&gt;"Look Where Free Will Has Gotten You": &lt;em&gt;Brave New World&lt;/em&gt; and &lt;em&gt;Angel&lt;/em&gt;'s Body Jasmine&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;SW/TX PCA/ACA Conference Paper by Mary Ellen Iatropoulos, SUNY New Paltz &lt;br /&gt;Listed in: Literature, Television&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2010/07/tube-has-spoken-reality-tv-and-history.html"&gt;&lt;em&gt;The Tube Has Spoken: Reality TV and History&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Julie Anne Taddeo and Ken Dvorak&lt;br /&gt;Review by Katie Ellis, University of Western Australia&lt;br /&gt;Listed in: Television, Social Custom&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2010/07/terror-in-heart-of-freedom-citizenship.html"&gt;&lt;em&gt;Terror in the Heart of Freedom: Citizenship, Sexual Violence, and the Meaning of Race in the Postemancipation South&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Hannah Rosen.&lt;br /&gt;Review by Robin Dasher-Alston, American Historical Association&lt;br /&gt;Listed in: African American, Gender&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2010/07/stories-of-oprah-oprahfication-of.html"&gt;&lt;em&gt;Stories of Oprah: The Oprahfication of American Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Trystan T. Cotton and Kimberly Springer Review by Katie Ellis, University of Western Australia&lt;br /&gt;Listed in: Television, Social Custom&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2010/07/serious-play-modern-clown-performance.html"&gt;&lt;em&gt;Serious Play: Modern Clown Performance&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Louise Peacock.&lt;br /&gt;Review by Christophe Collard, Vrije Universiteit Brussel, Belgium&lt;br /&gt;Listed in: Performing Arts&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2010/07/mainstreaming-sex-sexualization-of.html"&gt;&lt;em&gt;Mainstreaming Sex: The Sexualization of Western Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Feona Attwood Review by Maheswar Satpathy, Indian Institute of Technology, Kanpur&lt;br /&gt;Listed in: Social Custom, Gender&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesvisualarts.blogspot.com/2010/07/history-of-visual-culture-western.html"&gt;&lt;em&gt;A History of Visual Culture: Western Civilization from the 18th to the 21st Century&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Jane Kromm and Susan Benforado Bakewell.&lt;br /&gt;Review by Kevin M. Flanagan, University of Pittsburgh&lt;br /&gt;Listed in: Visual Arts&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2010/07/history-by-hollywood-use-and-abuse-of.html"&gt;&lt;em&gt;History by Hollywood: The Use and Abuse of the American Past. 2nd edition&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Robert Brent Toplin&lt;br /&gt;Review by Greta Methot, Rhode Island School of Design&lt;br /&gt;Listed in: Cinema&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2010/07/he-was-some-kind-of-man-masculinites-in.html"&gt;&lt;em&gt;He Was Some Kind of Man: Masculinities in the B Western&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Roderick McGillis.&lt;br /&gt;Review by Laurence Raw, Baskent University, Ankara&lt;br /&gt;Listed in: Gender, Cinema&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-3647481585172604591?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/3647481585172604591/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=3647481585172604591' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/3647481585172604591'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/3647481585172604591'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2010/07/spring-post-1-april-5-2010.html' title='Spring Post 1: April 5, 2010'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-1366595385219959243</id><published>2010-04-15T14:50:00.000-07:00</published><updated>2010-04-15T15:20:46.260-07:00</updated><title type='text'>Winter Post 1:  December 19, 2009</title><content type='html'>&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/02/african-culture-and-melvilles-art.html"&gt;&lt;em&gt;African Culture and Melville’s Art:&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;The Creative Process in Benito Cereno and Moby Dick &lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Sterling Stuckey &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Babacar M’Baye, Kent State University&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Literature, African &lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2010/02/attack-politics-negativity-in.html"&gt;&lt;em&gt;Attack Politics: Negativity in Presidential Campaigns Since 1960&lt;/em&gt;&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Emmett H. Buell, Jr. and Lee Sigelman &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Derek Charles Catsam, University of Texas of the Permian Basin&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Social Custom&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2010/02/bite-me-food-in-popular-culture_28.html"&gt;&lt;em&gt;Bite Me: Food in Popular Culture&lt;/em&gt; &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Fabio Parasecoli &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Rossella Ceccarini, Sophia University, Japan&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in:  Material Custom and Social Custom &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt; &lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2010/02/cruel-and-unusual-culture-of-punishment.html"&gt;&lt;em&gt;Cruel and Unsual:&lt;span style="mso-spacerun: yes"&gt;  &lt;/span&gt;The Culture of Punishment in America&lt;/em&gt; &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Anne-Marie Cusac &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Henrike Lehnguth, University of Maryland&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Social Custom&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2010/02/cuttin-up-how-early-jazz-got-americas_28.html"&gt;Cuttin’ Up: How Early Jazz Got America’s Ear&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Court Carney &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Reba Wissner, Brandeis University &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Music and Preforming Arts&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/03/literature-and-dance-in-nineteenth.html"&gt;&lt;em&gt;Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Woman&lt;/em&gt;&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Cheryl A. Wilson &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Luca Caddia, Independent Scholar&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Literature and Gender&lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;/span&gt;&lt;/o:p&gt; &lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2010/04/lottery-wars-long-odds-fast-money-and.html"&gt;The Lottery Wars: Long Odds, Fast Money, and the Battle Over an American Institution&lt;/a&gt;&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Matthew Sweeney &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Amanda Harmon Cooley, North Carolina A&amp;amp;T State University&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Material Culture and Social Custom&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2010/04/shakespeares-opposites-admirals-company.html"&gt;&lt;em&gt;Shakespeare’s Opposites: The Admiral’s Company 1594-1625&lt;/em&gt; &lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Andrew Gurr &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Suanna H. Davis, Houston Baptist University&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Literature and Performing Arts&lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2010/04/tactile-eye-touch-and-cinematic.html"&gt;The Tactile Eye: Touch and the Cinematic Experience&lt;/a&gt; &lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:Times New Roman;"&gt;&lt;blockquote&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;by Jennifer M. Barker &lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;review by Henrike Lehnguth, University of Maryland&lt;/span&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="font-family:Times New Roman;"&gt;listed in: Cinema&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;/span&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;o:p&gt;&lt;span style="font-family:Times New Roman;"&gt; &lt;/span&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p style="MARGIN: 0in 0in 0pt" class="MsoNormal"&gt;&lt;span style="mso-spacerun: yes"&gt;&lt;/span&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-1366595385219959243?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/1366595385219959243/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=1366595385219959243' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1366595385219959243'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1366595385219959243'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2010/04/winter-post-1-december-19-2009.html' title='Winter Post 1:  December 19, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-8103805639340007043</id><published>2009-11-30T11:21:00.000-08:00</published><updated>2009-11-30T11:22:16.825-08:00</updated><title type='text'>Fall Post 3: November 10, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturesliterature.blogspot.com/2009/11/late-age-of-print.html"&gt;The Late Age of Print&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Ted Striphas&lt;br /&gt;Review by Vicky Gilpin, Millikin University, Illinois&lt;br /&gt;Listed in: Literature and Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2009/11/tabloid-valley-supermarket-news-and.html"&gt;&lt;em&gt;Tabloid Valley: Supermarket News and American Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Paula E. Morton&lt;br /&gt;Review by Amarnath Amarasingam, Wilfrid Laurier University, Ontario&lt;br /&gt;Listed in: Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesimmigrant.blogspot.com/2009/11/station-identification-cultural-history.html"&gt;Station Identification: A Cultural History of Yiddish Radio in the United States&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Ari Kelman&lt;br /&gt;Review by Elizabeth Whittenburg Ozment, University of Georgia&lt;br /&gt;Listed in: Immigrant American and Preforming Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2009/11/from-heart-movement-gender-and-cook.html"&gt;Dancing from the Heart: Movement, Gender, and Cook Islands Globalization&lt;/a&gt;&lt;/em&gt; &lt;br /&gt;&lt;blockquote&gt;By Kalissa Alexeyeff &lt;br /&gt;Review by Matthew J. Forss, Goddard College, Vermont &lt;br /&gt;Listed in: Preforming Arts and Social&amp;nbsp;Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/11/for-freedom-of-her-race-black-women-and.html"&gt;For the Freedom of Her Race: Black Women and Electoral Politics in Illinois&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Lisa Masterson&lt;br /&gt;Review by Jason Hostutler, Mount Mary College, Wisconsin&lt;br /&gt;Listed in: African American, Gender&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/11/diasporas-of-australian-cinema.html"&gt;Disporas of Australian Cinema&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Catherine Simpson, Renata Murawska, and Anthony Lambert&lt;br /&gt;Review by Sarah Pinto, Centre for Australian Indigenous Studies, Monash University&lt;br /&gt;Listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2009/11/beyond-box-television-and-internet.html"&gt;Beyond the Box: Television and the Internet&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Sharon Marie Ross&lt;br /&gt;Review by Novotny Lawrence, Southern Illinois University&lt;br /&gt;Listed in: Television&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/11/composing-citizen-music-as-public.html"&gt;Composing the Citizen: Music as Public Utility in Third Republic France&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Jann Pasler&lt;br /&gt;Review by Reba Wissner, Brandeis University&lt;br /&gt;Listed in: Music and Europe&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2009/11/911-culture.html"&gt;&lt;em&gt;9/11 Culture&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By Jeffrey Melnick&lt;br /&gt;Review by Waleed Mahdi, University of Minnesota&lt;br /&gt;Listed In: Material Culture, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-8103805639340007043?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/8103805639340007043/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=8103805639340007043' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8103805639340007043'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8103805639340007043'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/11/fall-post-3-november-10-2009.html' title='Fall Post 3: November 10, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-1368463397308732556</id><published>2009-10-30T13:46:00.000-07:00</published><updated>2010-09-03T06:39:49.726-07:00</updated><title type='text'>Fall Post 2: October 5, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/10/sounds-of-modern-nation-music-culture.html"&gt;Sounds of the Modern Nation:&amp;nbsp; Music, Culture, and Ideas in Post-Revolutionary Mexico&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Alejandro L. Madrid&lt;br /&gt;Review by Russell Cobb, University of Alberta&lt;br /&gt;Listed In: Music and Latin America&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/10/near-black-white-to-black-passing-in.html"&gt;Near Black: White-to-Black Passing in American Culture&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Baz Dreisinger&lt;br /&gt;Review by Jacke R. Booker, Winston-Salem State University&lt;br /&gt;Listed In: African American, Social Custom&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/10/music-in-german-immigrant-theater-new.html"&gt;&lt;em&gt;Music in German Immigrant Theater: New York City, 1840 - 1940.&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;By John Koegel&lt;br /&gt;Review By Reba Wissner, Brandeis University&lt;br /&gt;Listed In:&amp;nbsp; Music, Immigrant America&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/10/sounds-of-modern-nation-music-culture.html"&gt;The Devil You Dance With: Film Culture in the New South Africa&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Audrey Thomas McCluskey&lt;br /&gt;Reveiw by Roberta Di Carmine, Western Illinois University&lt;br /&gt;Listed In:&amp;nbsp; Cinema, Africa&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2009/10/performing-worlds-into-being-native.html"&gt;Performing Worlds into Being: Native American Women's Theater&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Anne Elizabeth Armstrong, Kelli Lyon Johnson, and William A. Wortman.&lt;br /&gt;Review by Megan Burnett, Alice Lloyd College, Kentucky&lt;br /&gt;Listed In: Performing Arts, Native American&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2009/10/investigating-firefly-and-serenity.html"&gt;Investigation Firefly and Serenity: Science Fiction on the Frontier&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Rhonda V. Wilcox and Tanya R. Cochran&lt;br /&gt;Review by Madeline Muntersbjorn, University of Toledo&lt;br /&gt;Listed In: Television, Cinema&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2009/10/gender-professions-and-discourse-early.html"&gt;Gender, Professions and Discourse: Early Twentieth-Century Women's Autobiography&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Christine Etherington-Wright&lt;br /&gt;Review by Suanna H. Davis, Lone Star College, Texas&lt;br /&gt;Listed In: Gender, (Auto)Biography&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesvisualarts.blogspot.com/2009/10/cold-war-confrontations-us-exhibitions.html"&gt;Cold War Confrontations: US Exhibitions and Their Rone in the&amp;nbsp;Cultural Cold War&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Jack Masey and Conway Lloyd Morgan.&lt;br /&gt;Review by Antonio Thompson, Austin Peay State University&lt;br /&gt;Listed In: Visual Arts, Material Culture&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-1368463397308732556?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/1368463397308732556/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=1368463397308732556' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1368463397308732556'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1368463397308732556'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/10/fall-post-2-october-5-2009.html' title='Fall Post 2: October 5, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-5513831355525032251</id><published>2009-10-19T12:31:00.000-07:00</published><updated>2009-10-19T12:39:31.118-07:00</updated><title type='text'>Fall Post 1: August 30, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2009/10/popular-culture-values-and-arts-essays.html"&gt;Popular Culture Values and the Arts: Essays on Elitism versus Democratization.&lt;/a&gt;&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Edited by Ray B. Browne and Lawrence A. Kreiser Jr.&lt;br /&gt;Review by Stephen Gennaro, York University, Toronto&lt;br /&gt;Listed in: Social Custom, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/10/texas-blues-rise-of-contemporary-sound.html"&gt;&amp;nbsp;Texas Blues: The Rise of a Contemporary Sound. &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Alan Govenar.&lt;br /&gt;Review by Jonathan Hill, National University of Singapore&lt;br /&gt;Listed In: Music, Souhwest USA&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/10/orson-welles-and-unfinished-rko.html"&gt;Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective.&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Marguerite H. Rippy. &lt;br /&gt;Review by Chris Pallant, Bangor University, United Kingdom&lt;br /&gt;Listed In: Cinema, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2009/10/fabricating-absolute-fake-america-in.html"&gt;Fabricating the Absolute Fake: America in Contemporary Pop Culture.&lt;/a&gt; &lt;br /&gt;&lt;blockquote&gt;By Jaap Kooijman.&lt;br /&gt;Review by Laurence Raw, Baskent University, Ankara&lt;br /&gt;Listed In: Material Culture, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesscience.blogspot.com/2009/10/history-of-future.html"&gt;A History of the Future&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;By Donna Goodman&lt;br /&gt;Review by Yves Laberge, Laval University, Quebec&lt;br /&gt;Listed In:&amp;nbsp; Science, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&amp;nbsp;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/10/screening-nostalgia-populuxe-props-and.html"&gt;Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film. &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Christine Sprengler.&lt;br /&gt;Review by Greta Methot, Rhode Island School of Design&lt;br /&gt;Listed In: Cinema, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2009/10/medieval-cook.html"&gt;The Medieval Cook. &lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Bridget Ann Henisch.&lt;br /&gt;Review by Stephanie Plummer, Bowling Green State University&lt;br /&gt;Listed In: Europe, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/10/hollywoods-ancient-worlds.html"&gt;Hollywood’s Ancient Worlds.&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;By Jeffrey Richards.&lt;br /&gt;Review by Laurence Raw, Baskent University, Ankara&lt;br /&gt;Listed In:&amp;nbsp; Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-5513831355525032251?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/5513831355525032251/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=5513831355525032251' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/5513831355525032251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/5513831355525032251'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/10/fall-post-1-august-30-2009.html' title='Fall Post 1: August 30, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-4521903205792041621</id><published>2009-08-11T13:28:00.000-07:00</published><updated>2009-08-11T14:10:39.399-07:00</updated><title type='text'>Summer Post 3: August 5, 2009</title><content type='html'>&lt;a href="http://southwestjournalofcultureslatin.blogspot.com/2009/08/speaking-from-body-latinas-on-health.html"&gt;Speaking from the Body: Latinas on Health and Culture&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Angie Chabram-Dernersesian and Adela de la Torre&lt;br /&gt;review by Donna Shelton, Northeastern State University&lt;br /&gt;listed in: Latin America, Science&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2009/08/war-in-words-reading-dakota-conflict.html"&gt;The War in Words: Reading the Dakota Conflict through the Captivity Literature&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Kathryn Zabelle Derounian-Stodola&lt;br /&gt;review by Wendy Lucas Castro, University of Central Arkansas&lt;br /&gt;listed in: Native American, Immigrant American&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/08/red-white-and-spooked-supernatural-in.html"&gt;Red, White, and Spooked: The Supernatural in American Culture&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by M. Keith Booker&lt;br /&gt;review by Tamar Gablinger, Humboldt Universität Insititut für Sozialwissenschaften, Germany&lt;br /&gt;listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/08/mysterious-skin-male-bodies-in.html"&gt;Mysterious Skin: Male Bodies in Contemporary Cinema&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Santiago Fouz-Hernández&lt;br /&gt;review by Nathan G. Tipton, University of Tennessee Health Science Center, Memphis&lt;br /&gt;listed in: Cinema, Gender&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/08/hollywood-bloodshed-violence-in-1980s.html"&gt;Hollywood Bloodshed: Violence in 1980s American Cinema&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by James Kendrick&lt;br /&gt;review by Sarah Boslaugh&lt;br /&gt;listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2009/08/garden-and-fire-heaven-and-hell-in.html"&gt;The Garden and the Fire: Heaven and Hell in Islamic Culture&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Nerina Rustomji&lt;br /&gt;review by Brooke Sherrard, Florida State University&lt;br /&gt;listed in: Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/08/francesca-caccini-at-medici-court-music.html"&gt;Francesca Caccini at the Medici Court: Music and the Circulation of Power&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Suzanne G. Cusick&lt;br /&gt;review by Reba Wissner, Brandeis University&lt;br /&gt;listed in: Music, Europe&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesasia.blogspot.com/2009/08/desi-land-teen-culture-class-and.html"&gt;Desi Land: Teen Culture, Class, and Success in Silicon Valley&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Shalini Shankar&lt;br /&gt;review by Rupa Pillai, University of Oregon, Eugene&lt;br /&gt;listed in: Asia, Immigrant American&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2009/08/spectacle-of-suffering-clara-morris-on.html"&gt;A Spectacle of Suffering: Clara Morris on the American Stage&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Barbara Wallace Grossman&lt;br /&gt;review by Hayley Wood, Massachusetts Humanities&lt;br /&gt;listed in: Performing Arts, (Auto)Biography&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-4521903205792041621?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/4521903205792041621/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=4521903205792041621' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/4521903205792041621'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/4521903205792041621'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/08/summer-post-3-august-5-2009.html' title='Summer Post 3: August 5, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-1495119611343910218</id><published>2009-07-16T15:21:00.000-07:00</published><updated>2009-07-16T15:41:56.233-07:00</updated><title type='text'>Summer Post 2: July 8, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2009/07/southern-ute-women-autonomy-and.html"&gt;Southern Ute Women: Autonomy and Assimilation on the Reservation, 1887-1934&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Katherine Osburn&lt;br /&gt;review by Brad Montgomery-Anderson, Northeastern State University&lt;br /&gt;listed in: Native American, Gender&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafrica.blogspot.com/2009/07/queer-visibilities-space-identity-and.html"&gt;Queer Visibilities: Space, Identity, and Interaction in Cape Town&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Andrew Tucker&lt;br /&gt;review by Nathan G. Tipton, University of Memphis&lt;br /&gt;listed in: Africa, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/07/inventing-entertainment-player-piano.html"&gt;Inventing Entertainment: The Player Piano and the Origins of the American Musical Industry&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Brian Dolan&lt;br /&gt;review by Justin Patch, University of Texas&lt;br /&gt;listed in: Music, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2009/07/dance-human-rights-and-social-justice.html"&gt;Dance, Social Justice, and Human Rights: Dignity in Motion&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Naomi Jackson and Toni Shapiro-Phim&lt;br /&gt;review by Kirstin L. Ellsworth, California State University, Dominguez Hills&lt;br /&gt;listed in: Performing Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesasia.blogspot.com/2009/07/breaking-ashes-culture-of-illicit.html"&gt;Breaking the Ashes: The Culture of Illicit Liquor in Sri Lanka&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Michelle Ruth Gamburd&lt;br /&gt;review by Rupa Pillai, University of Oregon&lt;br /&gt;listed in: Asia, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/07/foundation-b-boys-b-girls-and-hip-hop.html"&gt;Foundation: B-Boys, B-Girls, and Hip-Hop Culture in New York&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Joseph G. Schloss&lt;br /&gt;review by Tara Jabbaar-Gyambrah, State University of New York, Buffalo&lt;br /&gt;listed in: African American, Music&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesasia.blogspot.com/2009/07/9-emotions-of-indian-cinema-hoardings.html"&gt;The 9 Emotions of Indian Cinema Hoardings&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by V. Geetha, Sirish Rao, and M.P. Dhakshna&lt;br /&gt;review by Rupa Pillai, University of Oregon&lt;br /&gt;listed in: Asia, Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesvisualarts.blogspot.com/2009/07/holy-motherhood-gender-dynasty-and.html"&gt;Holy Motherhood: Gender, Dynasty, and Visual Culture in the Later Middle Ages&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Elizabeth L'Estrange&lt;br /&gt;review by Kerr Houston, Maryland Institute College of Art&lt;br /&gt;listed in: Visual Arts, Europe&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-1495119611343910218?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/1495119611343910218/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=1495119611343910218' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1495119611343910218'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1495119611343910218'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/07/summer-post-2-july-8-2009.html' title='Summer Post 2: July 8, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-8331423869009424946</id><published>2009-06-25T13:06:00.000-07:00</published><updated>2009-06-25T13:38:03.066-07:00</updated><title type='text'>Summer Post 1: June 17, 2009</title><content type='html'>&lt;a href="http://southwestjournalofculturesasia.blogspot.com/2009/06/chinese-street-opera-in-singapore-by.html"&gt;&lt;em&gt;Chinese Street Opera in Singapore&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Tong Soon Lee&lt;br /&gt;reviewed by Justin Patch, University of Texas, Austin&lt;br /&gt;listed in: Asia, Performing Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofcultureswar.blogspot.com/2009/06/war-of-thousand-deserts-indian-raids.html"&gt;War of a Thousand Deserts: Indian Raids and the U.S.-Mexican War&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Brian DeLay&lt;br /&gt;reviewed by Bradley Montgomery-Anderson, Northeastern State University&lt;br /&gt;listed in: War, Southwest USA&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/06/medicines-moving-pictures-medicine.html"&gt;Medicine's Moving Pictures: Medicine, Health, and Bodies in American Film and Television&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Leslie J. Reagan, Nancy Tomes, and Paula A. Treichler&lt;br /&gt;reviewed by Cara Kinzelman, University of Minnesota, Twin Cities&lt;br /&gt;listed in: Cinema, Science&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2009/06/spare-time-in-texas-recreation-and.html"&gt;Spare Time in Texas: Recreation and History in the Lone Star State&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by David G. McComb&lt;br /&gt;reviewed by Muhammad Aurang Zeb Mughal, Durham University, England&lt;br /&gt;listed in: Southwest USA, Environs&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2009/06/living-as-equals-how-three-white.html"&gt;Living as Equals: How Three White Communities Struggled to Make Interracial Connections during the Civil Rights Era&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Phyllis Palmer&lt;br /&gt;reviewed by Barclay Key, Western Illinois University&lt;br /&gt;listed in: Social Custom, African American&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2009/06/from-dominance-to-disappearance-indians.html"&gt;From Dominance to Disappearance: The Indians of Texas and the Near Southwest, 1786-1859&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by F. Todd Smith&lt;br /&gt;reviewed by Jeff Carlisle, Oklahoma City Community College&lt;br /&gt;listed in: Native American, Southwest USA&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/06/hidden-art-of-hollywood-in-defense-of.html"&gt;The Hidden Art of Hollywood: In Defense of the Studio Era Film&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by John Fawell&lt;br /&gt;reviewed by Robert E. Meyer, Depaul University&lt;br /&gt;listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesscience.blogspot.com/2009/06/power-struggles-scientific-authority.html"&gt;Power Struggles: Scientific Authority and the Creation of Practical Electricity Before Edison&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Michael Brian Schiffer&lt;br /&gt;reviewed by Yves Laberge, Université Laval, Québec City, Canada&lt;br /&gt;listed in: Science&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-8331423869009424946?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/8331423869009424946/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=8331423869009424946' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8331423869009424946'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/8331423869009424946'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/06/summer-post-1-june-17-2009.html' title='Summer Post 1: June 17, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-158072186683702265</id><published>2009-05-28T12:19:00.000-07:00</published><updated>2009-05-28T12:46:15.823-07:00</updated><title type='text'>Spring Post 2: May 24, 2009</title><content type='html'>&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/05/harper-lees-to-kill-mockingbird.html"&gt;&lt;em&gt;Harper Lee's&lt;/em&gt; To Kill a Mockingbird&lt;em&gt;: The Relationship between Text and Film&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by R. Barton Palmer&lt;br /&gt;reviewed by Laurence Raw, Başkent University, Ankara, Turkey&lt;br /&gt;listed in: Cinema, Literature&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2009/05/sacred-and-feminine-imagination-and.html"&gt;The Sacred and the Feminine: Imagination and Sexual Difference&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Griselda Pollock and Victoria Turvey-Sauron&lt;br /&gt;reviewed by Gypsey Teague, Clemson University&lt;br /&gt;listed in: Gender, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesenvirons.blogspot.com/2009/05/complete-route-66-lost-and-found-ruins.html"&gt;The Complete Route 66 Lost and Found: Ruins and Relics Revisited&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Russell A. Olsen&lt;br /&gt;reviewed by Anna Thompson Hajdik, University of Texas at Austin&lt;br /&gt;listed in: Environs, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesimmigrant.blogspot.com/2009/05/description-of-new-netherland-original.html"&gt;A Description of New Netherland&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;original text by Adriaen van der Donck&lt;br /&gt;new translation by Diederik Willem Goedhuys&lt;br /&gt;edited by Charles T. Gehring and William A. Starna&lt;br /&gt;reviewed by Wendy Lucas Castro, University of Central Arkansas&lt;br /&gt;listed in: Immigrant American, Native American&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofcultureseurope.blogspot.com/2009/05/madonna-of-humility-development.html"&gt;The Madonna of Humility: Development, Dissemination, and Reception, c. 1340-1400&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Beth Williamson&lt;br /&gt;reviewed by Denis V. Vovchenko, Northeastern State University&lt;br /&gt;listed in: Europe, Visual Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesenvirons.blogspot.com/2009/05/here-george-washington-was-born-memory.html"&gt;Here, George Washington was Born: Memory, Material Culture, and the Public History of a National Monument&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Seth C. Bruggeman&lt;br /&gt;reviewed by Nancy Zey, Sam Houston State University&lt;br /&gt;listed in: Environs, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/05/escape-artist-life-and-films-of-john.html"&gt;Escape Artist: The Life and Films of John Sturges&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Glen A. Lovell&lt;br /&gt;reviewed by Laurence Raw, Başkent University, Ankara, Turkey&lt;br /&gt;listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/05/clint-eastwood-evolution-of-filmmaker.html"&gt;Clint Eastwood: Evolution of a Filmmaker&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by John H. Foote&lt;br /&gt;reviewed by Douglas C. MacLeod, State University of New York, Albany&lt;br /&gt;listed in: Cinema&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-158072186683702265?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/158072186683702265/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=158072186683702265' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/158072186683702265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/158072186683702265'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/05/spring-post-2-may-24-2009.html' title='Spring Post 2: May 24, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-145455986928815740</id><published>2009-04-29T10:12:00.000-07:00</published><updated>2009-04-29T12:45:49.863-07:00</updated><title type='text'>Spring Post 1: April 13, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/04/hayloft-gang-story-of-national-barn.html"&gt;The Hayloft Gang: The Story of the National Barn Dance&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Chad Berry&lt;br /&gt;reviewed by Sara Boslaugh&lt;br /&gt;listed in: Music, Performing Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesscience.blogspot.com/2009/04/science-talk-changing-notions-of.html"&gt;Science Talk: Changing Notions of Science in American Culture&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Daniel Patrick Thurs&lt;br /&gt;reviewed by Amy L. Thompson, Austin Peay State University&lt;br /&gt;listed in: Science, Social Custom&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/04/performing-class-in-british-popular.html"&gt;Performing Class in British Popular Music&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Nathan Wiseman-Trowse&lt;br /&gt;reviewed by Christopher Malone, Northeastern State University, OK&lt;br /&gt;listed in: Music, Performing Arts&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/04/old-roots-new-routes-cultural-politics.html"&gt;Old Roots, New Routes: The Cultural Politics of Alt.Country Music&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Pamela Fox and Barbara Ching&lt;br /&gt;reviewed by Justin Patch, University of Texas, Austin&lt;br /&gt;listed in: Music, Material Culture&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/04/mouse-machine-disney-and-technology-j.html"&gt;The Mouse Machine: Disney and Technology&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by J.P. Telotte&lt;br /&gt;reviewed by A. Bowdoin van Riper, Southern Polytechnic State University, Georgia&lt;br /&gt;listed in: Cinema, Science&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/04/screening-lynching-leo-frank-case-on.html"&gt;Screening a Lynching: The Leo Frank Case on Film and Television&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Matthew H. Bernstein&lt;br /&gt;reviewed by Nathan G. Tipton, University of Memphis&lt;br /&gt;listed in: Cinema, African American&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/04/dark-places-haunted-house-in-film-by.html"&gt;Dark Places: The Haunted House in Film&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Barry Curtis&lt;br /&gt;reviewed by Kevin M. Flanagan, North Carolina State University, Raleigh&lt;br /&gt;listed in: Cinema, Environs&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2009/04/modern-age-turn-of-century-american.html"&gt;The Modern Age: Turn-of-the-Century American Culture and the Invention of Adolescence&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Kent Baxter&lt;br /&gt;reviewed by Stephen Gennaro, York University, Toronto&lt;br /&gt;listed in: Social Custom, Science&lt;br /&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-145455986928815740?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/145455986928815740/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=145455986928815740' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/145455986928815740'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/145455986928815740'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/04/spring-post-1-april-13-2009.html' title='Spring Post 1: April 13, 2009'/><author><name>Bridget Cowlishaw, Ph.D.</name><uri>http://www.blogger.com/profile/13990580353645654390</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='25' height='32' src='http://2.bp.blogspot.com/_MeaQFKuzvXc/StuxSFio5UI/AAAAAAAACgk/8ay-ORbA24A/S220/bridget+cowlishaw.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-2854019143869827703</id><published>2009-02-12T13:20:00.000-08:00</published><updated>2009-04-15T18:04:20.165-07:00</updated><title type='text'>Winter Post 1: December 20, 2008</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/02/pop-surf-culture-music-design-film-and.html"&gt;Pop Surf Culture: Music, Design, Film and Fashion from the Bohemian Surf Boom&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;blockquote&gt;by Brian Chidester and Dominic Priore&lt;br /&gt;review by Kristin Lawler, College of Mount Saint Vincent, New York&lt;br /&gt;listed in: Music&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofcultureslatin.blogspot.com/2009/02/mexican-american-mojo-popular-music.html"&gt;Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935-1968&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;blockquote&gt;by Anthony Macías&lt;br /&gt;review by Darius V. Echeverría, Rutgers University&lt;br /&gt;listed in: Native American, Latin America&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/02/star-as-icon-celebrity-in-age-of-mass.html"&gt;The Star as Icon: Celebrity in the Age of Mass Communication&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;blockquote&gt;by Daniel Herwitz&lt;br /&gt;review by Erik M. Walker, Quincy College, Plymouth, Massachusetts&lt;br /&gt;listed in: Cinema&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesenvirons.blogspot.com/2009/02/americas-ocean-wilderness-cultural.html"&gt;America’s Ocean Wilderness: A Cultural History of Twentieth-Century Exploration&lt;br /&gt;&lt;/a&gt;&lt;/em&gt;&lt;blockquote&gt;by Gary Kroll&lt;br /&gt;review by Charles Mitchell, Elmira College&lt;br /&gt;listed in: Environs&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/02/hollywood-under-siege-martin-scorsese.html"&gt;&lt;em&gt;Hollywood Under Siege: Martin Scorsese, The Religious Right, and the Culture Wars&lt;/em&gt;&lt;br /&gt;&lt;/a&gt;&lt;blockquote&gt;by Thomas R. Lindlof&lt;br /&gt;review by Laurence Raw, Baskent University, Ankara, Turkey&lt;br /&gt;listed in: Cinema&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/02/many-faces-of-sacha-baron-cohen.html"&gt;&lt;em&gt;The Many Faces of Sacha Baron Cohen: Politics, Parody and the Battle over Borat&lt;/em&gt;&lt;br /&gt;&lt;/a&gt;&lt;blockquote&gt;by Robert A. Saunders&lt;br /&gt;review by Perin Emine Gurel, Yale University&lt;br /&gt;listed in: Cinema&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2009/02/catalog-illustrated-history-of-mail.html"&gt;&lt;em&gt;Catalog: The Illustrated History of Mail Order Shopping&lt;/em&gt;&lt;br /&gt;&lt;/a&gt;&lt;blockquote&gt;by Robin Cherry&lt;br /&gt;review by Crystal Z. Campbell, University of California-San Diego&lt;br /&gt;listed in: Material Culture&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturescinema.blogspot.com/2009/02/conspiracy-theory-in-film-television.html"&gt;&lt;em&gt;Conspiracy Theory in Film, Television and Politics&lt;/em&gt;&lt;br /&gt;&lt;/a&gt;&lt;blockquote&gt;by Gordon B. Arnold&lt;br /&gt;review by Laurence Raw, Baskent University, Ankara, Turkey&lt;br /&gt;listed in: Cinema, Television&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-2854019143869827703?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/2854019143869827703/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=2854019143869827703' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/2854019143869827703'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/2854019143869827703'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/02/post-four-december-20-2008.html' title='Winter Post 1: December 20, 2008'/><author><name>Alana Hatley</name><uri>http://www.blogger.com/profile/07006211600219601627</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-871088975968361403</id><published>2009-02-10T16:02:00.000-08:00</published><updated>2009-02-11T15:03:26.623-08:00</updated><title type='text'>Winter Post 2: February 1, 2009</title><content type='html'>&lt;em&gt;&lt;a href="http://southwestjournalofcultureswar.blogspot.com/2009/02/why-we-fought-americas-wars-in-film-and_11.html"&gt;Why We Fought: America’s Wars in Film and History&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Peter C. Rollins and John E. O’Connor&lt;br /&gt;review by David R. Buck, Thiel College&lt;br /&gt;listed in: War, Cinema&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/02/becoming-king-martin-luther-king-jr.html"&gt;Becoming King: Martin Luther King Jr. and the Making of a National Leader&lt;/a&gt; &lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Troy Jackson&lt;br /&gt;review by William Sturkey, Ohio State University&lt;br /&gt;listed in: African American, Social Custom&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2009/02/delta-blues-life-and-times-of.html"&gt;Delta Blues: The Life and Times of The Mississippi Masters Who Revolutionized American Music&lt;/a&gt; &lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Ted Gioia.&lt;br /&gt;review by Timothy J. O’Brien, University of Houston&lt;br /&gt;listed in: Music, Performing Arts&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2009/02/perfection-salad-women-and-cooking-at.html"&gt;Perfection Salad: Women and Cooking at the Turn of the Century&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;by Laura Schapiro&lt;br /&gt;review by Michelle Moravec, Rosemont College, Pennsylvania&lt;br /&gt;listed in: Gender, Material Culture&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2009/02/rebels-wit-attitude-subversive-rock.html"&gt;Rebels Wit Attitude: Subversive Rock Humorists&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Iain Ellis&lt;br /&gt;review by Justin Patch, University of Texas, Austin&lt;br /&gt;listed in: Music, Social Custom&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturestelevision.blogspot.com/2009/02/true-west-illustrated-guide-to-heyday.html"&gt;True West: An Illustrated Guide to the Heyday of the Western&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;em&gt;&lt;/em&gt;&lt;blockquote&gt;by Michael Barson&lt;br /&gt;review by Laurence Raw, Baskent University, Ankara, Turkey&lt;br /&gt;listed in: Television, Cinema&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/02/black-feminism-in-contemporary-drama-by.html"&gt;Black Feminism in Contemporary Drama&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Lisa M. Anderson&lt;br /&gt;review by Elizabeth Johnson, Governors State University, Illinois&lt;br /&gt;listed in: African American, Performing Arts&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2009/02/frederick-douglass-race-and-rebirth-of.html"&gt;Frederick Douglass: Race and the Rebirth of American Liberalism&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;by Peter C. Myers&lt;br /&gt;review by Debbie Clare Olson, Oklahoma State University&lt;br /&gt;listed in: African American, Social Custom&lt;/blockquote&gt;&lt;em&gt;&lt;a href="http://southwestjournalofcultureswar.blogspot.com/2009/02/why-we-fought-americas-wars-in-film-and.html"&gt;Why We Fought: America's Wars in Film and History&lt;/a&gt;&lt;/em&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Peter C. Rollins and John E. O’Connor&lt;br /&gt;review by Ron Briley, reprinted by permission of History News Network at http://hnn.us/&lt;br /&gt;listed in: War, Cinema&lt;/blockquote&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-871088975968361403?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/871088975968361403/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=871088975968361403' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/871088975968361403'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/871088975968361403'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2009/02/winter-post-2-february-1-2009.html' title='Winter Post 2: February 1, 2009'/><author><name>Alana Hatley</name><uri>http://www.blogger.com/profile/07006211600219601627</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-4880805298180168742</id><published>2008-12-14T16:52:00.000-08:00</published><updated>2009-04-15T18:06:40.823-07:00</updated><title type='text'>Fall Post 3: November 13, 2008</title><content type='html'>&lt;?xml:namespace prefix = o /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2008/12/christmas-ideology-and-popular-culture.html"&gt;Christmas, Ideology and Popular Culture&lt;/a&gt;&lt;br /&gt;&lt;/i&gt;&lt;blockquote&gt;edited by Sheila Whiteley&lt;br /&gt;reviewed by Joseph Michael Sommers, University of Central Arkansas&lt;br /&gt;listed in: Material Culture, Social Custom&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2008/12/from-greenwich-village-to-taos.html"&gt;From Greenwich Village to Taos: Primitivism and Place at Mabel Dodge Luhan’s&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Flannery Burke&lt;br /&gt;reviewed by Hilary Iris Lowe, University of Kansas&lt;br /&gt;listed in: Performing Arts, Southwest USA, Visual Arts&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2008/12/enchanted-lives-enchanted-objects.html"&gt;Enchanted Lives, Enchanted Objects: American Women Collectors and the Making of American Culture, 1800-1940&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Dianne Sachko Macleod&lt;br /&gt;reviewed by Stephanie Jacobe, American University&lt;br /&gt;listed in: Gender, Visual Arts&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2008/12/in-reckless-hands-skinner-v.html"&gt;In Reckless Hands: Skinner v. Oklahoma and the Near Triumph of American Eugenics&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Victoria F. Nourse&lt;br /&gt;reviewed by Cari Keller, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Science, Southwest USA&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesmusic.blogspot.com/2008/12/modern-noise-fluid-genres-popular-music.html"&gt;Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Jeremy Wallach&lt;br /&gt;reviewed by Matthew J. Forss, Goddard College, Vermont&lt;br /&gt;listed in: Asia, Music&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofcultureswar.blogspot.com/"&gt;Seeding Civil War: Kansas in the National News, 1854-1858&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Craig Miner&lt;br /&gt;reviewed by Gary L. Cheatham, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Southwest USA, War&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2008/12/sex-goes-to-school-girls-and-sex.html"&gt;Sex Goes to School: Girls and Sex Education before the 1960s&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Susan K. Freeman&lt;br /&gt;reviewed by Jennifer Aerts Terry, California State University, Sacramento&lt;br /&gt;listed in: Gender, Social Custom&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofcultureswar.blogspot.com/2008/12/tycoons-war-how-cornelius-vanderbilt.html"&gt;Tycoon’s War: How Cornelius Vanderbilt Invaded a Country to Overthrow America’s Most Famous Military Adventurer&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;by Stephen Dando-Collins&lt;br /&gt;reviewed by Daniel Gerling, University of Texas at Austin&lt;br /&gt;listed in: Latin America, War&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNoSpacing"&gt;&lt;i&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2008/12/women-who-pioneered-oklahoma-stories.html"&gt;Women Who Pioneered Oklahoma: Stories from the WPA Narratives&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;br /&gt;&lt;/p&gt;&lt;blockquote&gt;edited by Terri M. Baker and Connie Oliver Henshaw, with foreword by M. Susan Savage&lt;br /&gt;reviewed by Michel Demyen, University of Victoria, British Columbia&lt;br /&gt;listed in: (Auto)Biography, Southwest USA&lt;/blockquote&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-4880805298180168742?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/4880805298180168742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=4880805298180168742' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/4880805298180168742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/4880805298180168742'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2008/12/post-three-november-13-2008.html' title='Fall Post 3: November 13, 2008'/><author><name>Julie Cannon</name><uri>http://www.blogger.com/profile/13595689506976367006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-9083202290769523456</id><published>2008-12-01T18:28:00.000-08:00</published><updated>2009-04-15T18:06:09.714-07:00</updated><title type='text'>Fall Post 2: October 13, 2008</title><content type='html'>&lt;a style="FONT-STYLE: italic" href="http://southwestjournalofculturesswusa.blogspot.com/2008/11/branding-texas-performing-culture-in.html"&gt;Branding Texas: Performing Culture in the Lone Star State&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Leigh Clemons&lt;br /&gt;reviewed by L. Kym Neck, City University of New York&lt;br /&gt;listed in: Southwest USA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesbiography.blogspot.com/2008/11/icons-of-american-west-from-cowgirls-to.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Icons of the American West: From Cowgirls to Silicon Valley&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Gordon Morris Bakken&lt;br /&gt;reviewed by Douglas C. Macleod, Jr., State University of New York, Albany&lt;br /&gt;listed in: (Auto)Biography, Southwest USA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;/em&gt;&lt;a style="FONT-STYLE: italic" href="http://southwestjournalofculturesperforming.blogspot.com/2008/11/in-search-of-black-fantastic-politics.html"&gt;In Search of the Black Fantastic: Politics and Popular Culture in the Post-Civil Rights Era&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Richard Iton&lt;br /&gt;reviewed by Debbie Clare Olson, Oklahoma State University&lt;br /&gt;listed in: African American, Performing Arts&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2008/11/metrosexual-gender-sexuality-and-sport.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;The Metrosexual: Gender, Sexuality, and Sport&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by David Coad&lt;br /&gt;reviewed by Gypsey Teague, Clemson University&lt;br /&gt;listed in: Gender, Social Custom&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesperforming.blogspot.com/2008/11/nahuatl-theater-volume-3-spanish-golden.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Nahuatl Theater Volume 3: Spanish Golden Age Drama in Mexican Translation&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Barry D. Sell&lt;br /&gt;reviewed by Bradley Montgomery-Anderson, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Performing Arts, Native American&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2008/11/no-depression-surveying-past-present.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;No Depression: Surveying the Past, Present and Future of American Music&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;edited by Grant Alden and Peter Blackstock&lt;br /&gt;reviewed by Jason Mellard, University of Texas at Austin&lt;br /&gt;listed in: Music, Southwest USA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2008/11/patterns-of-exchange-navajo-weavers-and.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Patterns of Exchange: Navajo Weavers and Traders&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Teresa J. Wilkins&lt;br /&gt;reviewed by Robin O’Brian, Elmira College&lt;br /&gt;listed in: Material Culture, Native American&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2008/10/sounds-of-change-history-of-fm.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Sounds of Change: A History of FM Broadcasting in America&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Christopher H. Sterling and Michael Keith&lt;br /&gt;reviewed by Joseph Michael Sommers, University of Kansas&lt;br /&gt;listed in: Music, Social Custom&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofcultureseurope.blogspot.com/2008/11/white-people-indians-and-highlanders.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;White People, Indians, and Highlanders: Tribal Peoples and Colonial Encounters in Scotland and America&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Colin G. Calloway&lt;br /&gt;reviewed by Andrew K. Frank, Florida State University&lt;br /&gt;listed in: Europe, Native American&lt;/blockquote&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-9083202290769523456?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/9083202290769523456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=9083202290769523456' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/9083202290769523456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/9083202290769523456'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2008/12/post-two-october-13-2008.html' title='Fall Post 2: October 13, 2008'/><author><name>Julie Cannon</name><uri>http://www.blogger.com/profile/13595689506976367006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8609316905434789594.post-1442282935097838903</id><published>2008-12-01T17:08:00.000-08:00</published><updated>2009-04-15T18:05:34.253-07:00</updated><title type='text'>Fall Post 1: September 8, 2008</title><content type='html'>&lt;a style="FONT-STYLE: italic" href="http://southwestjournalofcultureseurope.blogspot.com/2008/10/anglophilia-deference-devotion-and.html"&gt;Anglophilia: Deference, Devotion, and Antebellum America&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Elisa Tamarkin&lt;br /&gt;reviewed by Brian Cowlishaw, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Europe, Immigrant American&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2008/10/art-from-fort-marion-silberman.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Art from Fort Marion: The Silberman Collection&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Joyce M. Szabo, foreword by Steven L. Grafe&lt;br /&gt;reviewed by Emily E. Auger, Ph. D.&lt;br /&gt;listed in: Native American, Visual Arts&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesbiography.blogspot.com/2008/10/circus-queen-and-tinker-bell-memoir-of.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Circus Queen and Tinker Bell: The Memoir of Tiny Kline&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Tiny Kline, ed Janet M Davis&lt;br /&gt;reviewed by Robert Sugarman, Circus Historical Society&lt;br /&gt;listed in: (Auto)Biography, Performing Arts&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;a href="http://southwestjournalofculturesasia.blogspot.com/2008/10/confronting-iran-failure-of-american.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Confronting Iran: The Failure of American Foreign Policy and the Next Great Conflict in the Middle East&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Ali M. Ansari&lt;br /&gt;reviewed by Babak Rahimi, University of California, San Diego&lt;br /&gt;listed in: Asia, War&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturessocial.blogspot.com/2008/10/drunk-night-before-anatomy-of.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Drunk the Night Before: An Anatomy of Intoxication&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Marty Roth&lt;br /&gt;reviewed by Bridget Roussell Cowlishaw, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Social Custom&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesmaterial.blogspot.com/2008/10/identifying-consumption-subjects-and.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Identifying Consumption: Subjects and Objects in Consumer Society&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Robert G. Dunn&lt;br /&gt;reviewed by Mary C. Carter, University of Oklahoma&lt;br /&gt;listed in: Material Culture&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesafricanamer.blogspot.com/2008/10/lynching-to-belong-claiming-whiteness.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Lynching to Belong: Claiming Whiteness through Racial Violence&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Cynthia Skove Nevels&lt;br /&gt;reviewed by John Barnhill, Ph. D.&lt;br /&gt;listed in: African American, Immigrant American&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;a href="http://southwestjournalofculturesnativeameri.blogspot.com/2008/10/nez-perces-in-indian-territory-nimiipuu.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;The Nez Perces in the Indian Territory: Nimiipuu Survival&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by J. Diane Pearson&lt;br /&gt;reviewed by Bradley Montgomery-Anderson, Northeastern State University, Oklahoma&lt;br /&gt;listed in: Native American, War&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesswusa.blogspot.com/2008/10/stricken-field-little-bighorn-since.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Stricken Field: The Little Bighorn since 1876&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Jerome A. Greene&lt;br /&gt;reviewed by Robert E. Meyer, DePaul University&lt;br /&gt;listed in: Environs, Native American, Southwest USA, War&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;a href="http://southwestjournalofculturesgender.blogspot.com/2008/10/unfriendly-witnesses-gender-theatre-and.html"&gt;&lt;span style="FONT-STYLE: italic"&gt;Unfriendly Witnesses: Gender, Theatre, and Film in the McCarthy Era&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;by Milly S. Barranger&lt;br /&gt;reviewed by Robert Weiner, Texas Tech University&lt;br /&gt;listed in: Cinema, Gender&lt;/blockquote&gt;&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8609316905434789594-1442282935097838903?l=southwestjournalofculturesarchive.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://southwestjournalofculturesarchive.blogspot.com/feeds/1442282935097838903/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8609316905434789594&amp;postID=1442282935097838903' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1442282935097838903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8609316905434789594/posts/default/1442282935097838903'/><link rel='alternate' type='text/html' href='http://southwestjournalofculturesarchive.blogspot.com/2008/12/southwest-journal-of-cultures-archive.html' title='Fall Post 1: September 8, 2008'/><author><name>Julie Cannon</name><uri>http://www.blogger.com/profile/13595689506976367006</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
